Welcome to the SUBMISSION / ENTRY form for the 2011 Bonefolder Bind-O-Rama that demonstrates the intersection of conservation and the art of the book. We challenged binders and conservators to think about their work in different ways and to create compelling new work that applies “non-destructive and completely reversible book structures.” Since 2003, the Tomorrow’s Past movement (See The Bonefolder, Vol. 7, 2011) has led the way with work that demonstrates a high regard for the integrity of the original object, the application of current conservation best practices, and an innovative interpretation of book structure and aesthetics resulting in work that is lasting and fresh.
The integrity of the original is a key value of this movement, and stresses that books are not rebound or interpreted simply for the sake of doing so. Books of significance as artifacts with key elements of the binding in treatable condition or requiring simpler treatments are not appropriate candidates for this kind of treatment. Suitable books would be those that may have boards or other elements missing, have been previously repaired/rebound and showing the negative effects of those treatments, or whose original structures may have caused the breakdown of the binding in the first place. All treatments completed for this Bind-O-Rama must conform to current best practices in conservation, be reversible, and ultimately “do no harm.” This is NOT an altered book event. In contrast to past Bind-O-Ramas this event will be juried by the members of The Bonefolder’s board who are themselves trained conservators and active in the field. Kathy Abbott, a member of the Tomorrow’s Past movement will also participate as juror.
Images must be sent to bonefolder@philobiblon.com as separate attachments. Included must be at least two, no more than 5 images of treatment including before, in-process, and completed. Specifications: Minimum 640 x 480 pixels @ 72dpi, jpg file format of your book. Files must be named as binder's name-1.jpg... (e.g. verheyen-1.jpg, verheyen-2.jpg)
Full details with images illustrating the process can be found at http://bonefolderextras.blogspot.com/2011/02/bind-o-rama-2011-artistically.html.
Additional examples can be found by Suzy Morgan, Gaylord Intern in the Conservation Lab at Syracuse University Library. In her posts she discusses the book she treated and some of the "ethical" questions. Take a look at these links: http://digitalcellulose.wordpress.com/2011/08/16/internship-report-month-1-part-2-now-with-more-coffee/ and http://www.flickr.com/photos/suzypictures/sets/72157627145298417.
Another example is the work of James Reid-Cunningham, conservator at the Boston Athenaeum. His treatment is at http://www.reid-cunningham.com/Design%20Bindings/insectarchitectu.html.
Karen Hanmer's example is at http://www.karenhanmer.com/gallery/piece.php?gallery=newwork&p=Walter_Crane.
IF you have conceptual questions about what this is about, please do not be afraid to ask by sending an email to bonefolder@philobiblon.com.
